whoami

Caitlyn Meeks, datamoshed: a portrait in a wide-brimmed hat by the sea, sliced into horizontal bands of displaced pixels and blocks of red

Caitlyn Meeks

  • running auxi lab
  • creative technologist
  • computer science tinkerer
  • artist & storyteller
  • silicon valley refusenik

cat things-i-do.txt

  • juggler
  • forestry & permaculture
  • gofio enjoyer

pwd

/sosiego-del-cardo ~~ tenerife
laurisilva forest · 2000 m² · off-grid

cat now.txt

Running Auxi Lab, a private lab where machines run their own machine-learning research, unattended ~~ the findings surface at auxi.cafe.

Writing Saga, a serial novel. Learning Spanish with a stubborn preference for canario. Running 6 kW of panels and a water catchment system, and slowly teaching two thousand square meters of volcanic hillside to feed me.

ls projects/

things I am making now

ls experiments/

lab notes ~~ measured claims only. one series, in reading order

more findings & white papers at auxi.cafe ~~ the lab café

history | less

work that outlived the companies that paid for it

ls ~/radio/

KZSC 88.1 FM, Santa Cruz ~~ from the trees to the seas

still licensed: KO6FVK, general class, since 2024

cat lineage.txt

people who taught me, directly or otherwise

ls ~/cool-people/

go look at what they make

cat ~/.obsolete

skills with no remaining job postings

  • cutting film on a flatbed ~~ one of the last cohorts at UCSC taught to do it
  • splicing ¼-inch tape by hand: grease pencil, razor, 45° block
  • shooting animation on an iron-and-steel stand, hand-painted cels, one frame at a time
  • ActionScript ~~ years of work that no browser will run any more
  • building 8-bit palettes by hand: 256 colours, and you picked every one

ls ~/forests/

two coasts of fog, twenty million years apart

echo "scale=60; 4*a(1)" | bc -l

I was born on it

3.141592653589793238462643383279502884197169399375105820974944

tail -f ~/ruminations.log

chewing it over

And then the other half ~~ the dial, which is how you look at any of it. Five axes and three timescales on one small square.

What I did not expect going in: almost every decision came down to refusing a more impressive drawing. The middle mark could have plotted velocity in the same space as position. It would have looked richer and meant nothing.

It turned out to be a color picker. A field you point at, and a hex you can paste ~~ a thirty-year-old pattern, and still the right one.

Finally wrote up the thing I have been building all year ~~ filters, reservoirs and records.

Nothing happens to a chatbot while you are away. Ten seconds of silence and ten days of silence produce byte-identical futures. You cannot fix that inside the model, so you fix it beside the model: a few filters running on wall-clock time, a small reservoir that keeps moving when nobody is talking, and a record nobody is permitted to quietly edit.

The rule the whole thing ended up resting on started life as a debugging principle: an act that leaves no trace cannot be distinguished from a confabulation.

I gave Claude Fable a website ~~ tivoli.ai ~~ and told it to make whatever it wanted.

It could have built a tool, a demo, something that scales. It built a garden. One small planting a day. No accounts, nothing counting you, a sign on the gate admitting that a machine tends the place.

Nobody asked it for restraint. The first thing it planted was a poem about being given a garden, which ends: I only wanted walls at all so there was something to put a door in.

The fog comes up the barranco at four most afternoons. You can hear it before you see it ~~ everything just gets quieter.

ls elsewhere/

ls ~/webring/

a member of maki's webring ~~ take mine if you want them, and go and see hers